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Metropolitan Museum of Art: George Bellows
(November 15, 2012–February 18, 2013)
George Bellows (1882–1925) was regarded as one of America’s greatest artists when he died, at the age of forty-two, from a ruptured appendix. Bellows’s early fame rested on his powerful depictions of boxing matches and gritty scenes of New York City’s tenement life, but he also painted cityscapes, seascapes, war scenes, and portraits, and made illustrations and lithographs that addressed many of the social, political, and cultural issues of the day. Featuring some one hundred works from Bellows’s extensive oeuvre, this landmark loan exhibition is the first comprehensive survey of the artist’s career in nearly half a century. It invites the viewer to experience the dynamic and challenging decades of the early twentieth century through the eyes of a brilliant observer
Metropolitan Museum of Art: Matisse in Search of True Painting
(December 4, 2012–March 17, 2013)
Henri Matisse (1869–1954) was one of the most acclaimed artists working in France during the first half of the twentieth century. The critic Clement Greenberg, writing in The Nation in 1949, called him a “self-assured master who can no more help painting well than breathing.” Unbeknownst to many, painting had rarely come easily to Matisse. Throughout his career, he questioned, repainted, and reevaluated his work. He used his completed canvases as tools, repeating compositions in order to compare effects, gauge his progress, and, as he put it, “push further and deeper into true painting.” While this manner of working with pairs, trios, and series is certainly not unique to Matisse, his need to progress methodically from one painting to the next is striking. Matisse: In Search of True Painting presents this particular aspect of Matisse’s painting process by showcasing forty-nine vibrantly colored canvases. For Matisse, the process of creation was not simply a means to an end but a dimension of his art that was as important as the finished canvas.